Below the structures of some complex Caramazan processes are presented. Not infrequently, a process may include motifs with Minor and Major thirds alike. The Ionian ones are marked T, the Aeolian ones are marked t, those of Phrygian character are symbolized by F. E.g. t-(5) stands for an Aeolian motif with the (5) main cadence, T - 6/7/8 (7) 6 shows an Ionian melody whose first lines close on the 6th, 7th or 8th degree.

Processes with Ionian and Aeolian motifs: t-(5) + T-5/6(5)x; T-6/7/8(7)6 + t-4/5(5)x and T-6/7/8(7)6 + t-4/5(5)x.

Phrygian lines are frequent: F-4(5)x + t-(5) and F-4(5)x + t-5(b3)4/7 + t-4/5(5)x.

Phrygian cadence after the following tunes: T-5(5)x and T- (4), t-(4).

Tunes of different cadences may be included in a process: T-(4) + T(5); T-b3(4)x + T-6/7(6)x! + T-4/5(4)x + T-4/5(5)x + T4(5)x; t-4/5(5)x + t-1(1)5; t-4/5(4)x + t-4(2)2 + t-4/5(4)x and T-b3(4)x + T-6/7/8(7)6.

Finally, the small and large forms are often mixed: t-5(b3)4/7 + La (5), T-4/5(4)x + T (6/7) and T-(6/7) + T-4(5)x + T-(5).