Similarly to other Aeolian Kyrgyz songs, the Aeolian Caramazan tunes are widely diverse, and they hardly condense into large homogeneous groups.

4.2.1. Two-lined Aeolian Caramazan tunes (ex.39/1-4, №308-316). Let us start with the songs of distinctly motivic construction, including different motifs or series of motifs. Particular note should be taken of №308, a unique tune in the entire Kyrgyz corpus with its (VII) main cadence. What is more, this tune is followed by a coda cadencing on (4). Similar is the beginning of №309, followed by a coda of short Ionian lines and having (5) main cadence. The following are the two-lined Caramazan tunes:

	main cadence	scheme of lines	Ex.	№
1)	(1)	A-A-A-C | E C A	39/1	№308-312
2)	(b3)	E,-A-B-C | B-B A	39/2	№313
3)	(4)	A-D-C-D | B-B A	39/3	№314-316
4)	(5)	D-E-E-E | D-C A	39/4

Example 39 Two-lined Aeolian Caramazan tunes1

4.2.2. Four-lined Aeolian Caramazan tunes (ex.40/1-3, №317-323). Several different tunes belong here but only the 3) constitute a large compact group.

	cadences	melody scheme	Ex.	№
1)	5/6 (b3) 4/7	diverse songs	40/1	№317
2)	4/5 (4) x	C-D-D-E | E-D D/E | C-E-D-D | C-B A	40/2
3)	4/5 (5) y	A-E-E-E | D-E E | C-E-D-D | C-B A	40/3	№318-323

Example 40 Four-lined Aeolian Caramazan tunes2

4.2.3. Caramazan tunes of four long lines (ex.41, №324-326). A tune of Minor- and three tunes of Major character belong here.