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Rudolf Gusztin, Research Assistant, Department for Hungarian Music History of the Institute for Musicology, Research Centre for the Humanities, Hungarian Academy of Sciences, and PhD student at the Liszt Ferenc University for Music, Musicology (supervisor: Katalin Kim Szacsvai). His doctoral thesis in preparation deals with the 19th-century choral-movement in Hungary. |
CV
Rudolf Gusztin graduated in 2016 from the Musicology Department of the Liszt Academy of Music (Budapest). His research areas include 19th- and -20th-century Hungarian music history and music theory. Since May 2016, he has been employed first as scientific administrator, later as research assistant at the Department for Hungarian Music History (Institute of Musicology, RCH, HAS). He participates at the preparations and editing activities of the Department’s series of critical editions and scientific publications (Ferenc Erkel’s Operas, Műhelytanulmányok a 18. Század Zenetörténetéhez [Studies for 18th-Century Music History]) as well as at the Department’s activity of data processing, cataloguing of basic research for the 18th and 19th centuries. His research area has been enlarged with his planned PhD dissertation on the 19th-century choral-movement in Hungary.
Publications
Theses:
Zárlatok összhangzattani elemzése Liszt kései műveiben [A Harmonic Analysis of the Cadences in the Late Works of Franz Liszt]. BA thesis (Budapest, Liszt Ferenc Academy of Music, Musicology Department, 2014).
Kultúrpolitika és diktatúra: a jazz megítélése a kádári konszolidáció idején (1956–1963) [Cultural Policy and Dictatorship: How Jazz was viewed in the Period of Consolidation of the Kádár Regime (1956–1963)]. MA thesis (Budapest, Liszt Ferenc Academy of Music, Musicology Department, 2016).
Article:
„Kultúrpolitika és diktatúra: a jazz megítélése a kádári konszolidáció idején (1956–1963)” [Cultural Policy and Dictatorship: How Jazz was viewed in the Period of Consolidation of the Kádár Regime], Magyar Zene 56/1 (2018), 102–115.
Rudolf Gusztin: „Ferenc Erkel’s Role in the Hungarian Choral Movement”, in Musical Theatre Companies in the Multilingual East-Central Europe. An Essentially International Genre and Its Repertoire in the Service of Nation, eds. Katalin Kim, Péter Bozó, Lili Békéssy, Martin Elek, Rudolf Gusztin, Pál Horváth (Budapest, Institute for Musicology, Research Centre for the Humanities of the Hungarian Academy of Sciences, 2018).
Gusztin Rudolf: „Zene a kulturális emlékezet szolgálatában. Magyar zeneművek a mohácsi csatáról a 19. század végéig”, [Music in the service of cultural memory. Hungarian musical works from the battle of Mohács until the end of the 19th century] in Több mint egy csata: Mohács. Az 1526. évi ütközet a magyar tudományos és kulturális emlékezetben [More than a battle: Mohács. The battle of 1526 in Hungarian scholarly and cultural memory], szerk. Fodor Pál, Varga Szabolcs (Budapest, MTA Bölcsészettudományi Kutatóközpont, 2019), 463–506. (ill. 482– 488).
„The Institutionalization Of The Choral Movement In Nineteenth-Century Hungary”, Musicologica Austriaca (3 April 2021), https://www.musau.org/parts/neue-article-page/view/105
„A soproni Dalfüzér / Liederkranz: előzmények, intézményesülés, működés (1847–1867) I. rész” [The Sopron Liederkranz: antecedent, institutionalization, operation (1847–1867) I. part], Soproni Szemle (2021/3), 277–291.
„A soproni Dalfüzér / Liederkranz: előzmények, intézményesülés, működés (1847–1867) II. rész” [The Sopron Liederkranz: antecedent, institutionalization, operation (1847–1867) II. part], Soproni Szemle (2022/1), 6–22.
„Choral Movement and Nationalism in Nineteenth-Century Hungary”, Stanislav Tuksar–Vjera Katalinić–Petra Babić–Sara Ries (eds.): Glazba umjetnosti i politika: revolucije i restauracije u Europi i Hrvatskoj 1815.–1860. / Music, Arts and Politics: Revolutions and Restorations in Europe and Croatia, 1815–1860 (Zagreb: Hrvatska Akademija Znanosti I Umjetnosti, Odsjek za povijest hrvatske glazbe, 2021) (= Muzikološki ubornici / Musicological Proceedings 23), 695–712. DOI: 10.21857/y6zolbr8nm
Editorial work:
Ágnes Sas: Polyphonic Music in the Cities, Churches and Aristocratic Courts of Hungary, ed. by Katalin Szacsvai-Kim, copy-editors Lili Békéssy, Rudolf Gusztin, Pál Horváth, Zoltán Vargyas (Budapest, HAS Institute for Musicology of the Research Centre for the Humanities, 2017).
Musical Theatre Companies in the Multilingual East-Central Europe. An Essentially International Genre and Its Repertoire in the Service of Nation, eds. Katalin Kim, Péter Bozó, Lili Békéssy, Martin Elek, Rudolf Gusztin, Pál Horváth (Budapest, Institute for Musicology, Research Centre for the Humanities of the Hungarian Academy of Sciences, 2018)
Zenetudományi Dolgozatok 2017–2018, eds. Katalin Kim, Lili Békéssy, Martin Elek, Rudolf Gusztin, Pál Horváth (Budapest, Institute for Musicology, Research Centre for the Humanities of the Hungarian Academy of Sciences, 2019)
Conference papers:
Choral Movement in Nineteenth-century Hungary: A Means of Expressing National Identity Through Music. Lecture at the conference “Musical culture/s of the Habsburg Monarchy and its successors states: Cultural, social and historical approaches”, 23–24 February 2017, Vienna, Department of Music Analysis, Theory and History – University of Music and Performing Arts Vienna.
A magyar dalármozgalom intézményesülése az 1860-as években [The Institutialization of the Hungarian Choral-movement in the 1860s]. Lecture at the conference „Hivatásosok és műkedvelők” [Professionals and Dillentats], 13–14 October 2017, Budapest, Hungarian Musicological Society.
Ferenc Erkel’s role in the Hungarian Choral Movement, Visegrad Grant 2017–2018, MTA BTK ZTI Haydn-hall, „The Network of the Musical Theatre Companies in the Multilingual East-Central Europe”, 2018. május 28–29.
A dalármozgalom repertoárja az első évtizedben [The Repertoire of the Hungarian Choral-movement in its First Decade]. Lecture at the conference „Hivatásosok és műkedvelők” [Professionals and Dillentats], 12–13 October 2018, Budapest, Hungarian Musicological Society.
A dalármozgalom századfordulós forrásainak értékelése [Evaluation of the Turn-of-the-century Sources of the Choral-movement], Lecture at the conference „A 20. századi zenetörténeti források hitelessége” [The authenticity of 20th century music history sources] 28–29 May 2019, MTA BTK Zenetudományi Intézet 20–21. Századi Magyar Zenei Archívuma [Archives for 20th–21st Century Hungarian Music, Institute for Musicology]
Önkényuralom és zene: A dalármozgalom és a politika viszonya az 1850–60-as években [Dictatorship and Music: The Relationship Between the Choral-movement and Politics in the 1850s and 60s.], Magyar Zenetudományi és Zenekritikai Társaság, MTA BTK ZTI Bartók terem, Zene és politika, 2019. október 11–12.
Choral Movement in Nineteenth-Century Hungary – A Means of Expressing National Identity through Music, Lecture at the conference „Music, Arts and Politics: Revolutions and Restorations in Europe and Croatia. 1815-1860”, 16–19 October 2019, Croatian Musicological Society & Croatian Institute for History, Department for History of Croatian Music of the Croatian Academy of Sciences and Arts; Croatian Academy of Sciences and Arts, Library.
The Beginning of the Hungarian National Choral Movement in the Light of the National Choral Society Meeting of 1863. Poster-presentation at conference „Österreichische Gesellschaft für Musikwissenschaft Austrian Music Studies: Gegenstand – Perspektiven – Konzepte”. Innsbruck, Haus der Musik, 2019. december 4–7.
„Fővárosi dalegyletek a korabeli zenei sajtó tükrében (1843–1867)” [Choral Societies in the Capital City in the Light of the Press],Lecture at the conference „Zenekritika és zenei ismeretterjesztés” [Music Critic and Musical Dissemination], 8–9 October 2021. Budapest, Hungarian Musicological Society
„Liszt Ferenc és az 1865-ös pesti országos dalárünnepély” [Franz Liszt and the 1865 National Choral Celebration in Pest]. Lecture at the conference „Liszt és magyar kortársainak kapcsolata Magyarország művelődéstörténetének tükrében” 18–19 October 2021. Budapest, Franz Liszt Academy of Music & The Palace of Arts
DOI-publications
„A dalármozgalom századfordulós forrásainak értékelése” [Evaluation of the Turn-of-the-century Sources of the Choral-movement], Magyar Zenetörténet Online [Hungarian Music History Online], 19 August 2020. https://doi.org/10.23714/mzo.001
„Dalármozgalom a Zenészeti Lapokban 1860–1867 között. Sajtóadatbázis” [Choral-movement in Zenészeti Lapok between 1860–1867. Press-database], Magyar Zenetörténet Online [Hungarian Music History Online], 25 August 2020. https://doi.org/10.23714/mzo.004
„A soproni Dalfüzér / Liederkranz fellépései 1859–1867 között” [The Performances of the Sopron Liederkranz between 1859–1867], Magyar Zenetörténet Online [Hungarian Music History Online], 25 August 2020. https://doi.org/10.23714/mzo.005
„A soproni Dalfüzér / Liederkranz működése 1859–1869 között” [The Operation of the Sopron Liederkranz between 1859–1867], Magyar Zenetörténet Online [Hungarian Music History Online], 26 August 2020. https://doi.org/10.23714/mzo.006
Educational publications
„Hogyan vett részt Erkel Ferenc a dalármozgalomban?” [How Did Ferenc Erkel Participate in the Choral-movement?], Fidelio, 24 October 2018. https://fidelio.hu/klasszikus/hogyan-vett-reszt-erkel-ferenc-a-dalarmozgalomban-140026.html
„Játékos Magyar Zenetörténet. Vetélkedő a Hymnusz megzenésítésének 175. évfordulója alkalmából” [Playful Hungarian Music History. Competition on the Occasion of the 175th Anniversary of the National Anthem's Composition], Zenetudományi Intézet [Institute for Musicology], 2019. http://zti.hu/files/mzt/hymnusz_segedanyag/index.html
„Christopher Hogwood: Händel”, Jelenkor, 2021. október 6. http://www.jelenkor.net/visszhang/2244/christopher-hogwood-handel
Full list of publications: Hungarian Scientific Bibliography.
