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The building of the RCH Institute for Musicology will be closed between November 1, 2022 and March 31, 2023 due to technical reasons. The staff of the Institute can be reached by email. Thank you for your understanding!
This closure only concerns the Institute itself, the Museum of Music History is still open from 10:00 to 16:00 every day, except for Mondays. |
Honorary Conference to the 50th Anniversary of the Death of László Lajtha (February 16th, 2013)
Texts of the Papers given at the Conference
Emőke Solymosi Tari: ‘…comme un fleur.’ Lajtha’s Letters to the ‘Conscience of Europe’
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
András Szekfű: Lajtha and Höllering. A New Approach to the Relation of Music and Film in the Thirties
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Krisztina Pálóczy: Folk Hymn Research in the 1950s. The Lajtha-Team – to the Margins of an Exhibition
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
István Pávai: The Transsylvanian Folksong Collections of György Bözödi and Lajtha
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Ferenc Sebő: Buházi, the Transsylvanian Lying Violinist
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Melinda Berlász: What does the Second Volume of László Lajtha’s Collected Writings Promise?
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Zsuzsanna Erdélyi: The Golden Age of the Lajtha-Team
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Lujza Tari: The Folk Instrument Researches of László Lajtha with Lessons for the Present
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Ferenc János Szabó: The Juvenile Piano Works of László Lajtha
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Viola Biró: The Survival of the Serenade-Tone in Lajtha’s String Trio ‘Erdélyi Esték’
Full Text in Hungarian • Abstract in Hungarian • Abstract in English
Péter Halász: Images of a Work. The Author’s Interpretation and Contemporary Reception of Symphony No.8
Full Text in Hungarian • Abstract in Hungarian • Abstract in English