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The building of the RCH Institute for Musicology will be closed between November 1, 2022 and March 31, 2023 due to technical reasons. The staff of the Institute can be reached by email. Thank you for your understanding!
This closure only concerns the Institute itself, the Museum of Music History is still open from 10:00 to 16:00 every day, except for Mondays. |
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International Musicological Symposium in the Framework of the Bartók World Competition & Festival
Bartók Hall, Institute for Musicology Research Centre for the Humanities Hungarian Academy of Sciences
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Programme Booklet of the Symposium in English (pdf) >
Official Website of the Bartók World Competition and Festival >
Programme of the Symposium
Session 1 (morning) Thursday, 14 September 2017
9.45–10.00 Opening addresses
10.00–11.15 Keynote speech
David Cooper (Leeds University): Bartók, Biography and the Violin
11.30–13.00 Paper session, chair: David Cooper
Virág Büky (Budapest Bartók Archives): The Appearance of the ‘Ideal’ and other Topoi in Bartók’s Two Violin-Piano Sonatas
Sylveline Bourion (Université de Montréal): Bartók on the Violin: Integration and Transformation of Romanian and Hungarian Folk Music in His Two Violin Rhapsodies
Zsombor Németh (Liszt Academy of Music, Budapest): Imre Waldbauer and Béla Bartók
Session 2 (afternoon) Thursday, 14 September 2017
14.00–15.15 Keynote speech
Elliott Antokoletz (University of Texas, Austin): Tonality or Atonality in Bartók’s Sonata No. 2? From Folk Modalities to a Twelve-Tone Language
15.30–17.00 Paper session, chair: Elliott Antokoletz
Sarah Lucas (University of Iowa): Performance and Reception of Bartók’s Violin Music during His First Concert Tour of the United States (1927–1928)
Viola Biró (Budapest Bartók Archives): Bartók’s Violin Players from Maramureş
Yusuke Nakahara (Budapest Bartók Archives): A Triumph of Musical Order? Multiple Sources of Inspiration in “Prelude and Canon,” Forty-Four Duos, No. 37
Session 3 (morning) Friday, 15 September 2017
10.00–11.15 Keynote speech
Peter Laki (Bard College): The Decade of the Violin Concerto: New Music and the Performer in the 1930s
11.30–13.00 Paper session, chair: Peter Laki
István G. Németh (Institute for Musicology, Budapest): The Influence of Bartók’s Verbunkos-Based Violin Parts on the Work of Adrian Pop
Mohammad Moussa Khalaf (Bar-Ilan University, Israel): Bartók’s Violin: An Arab Musician Looks at the Western World
Session 4 (afternoon) Friday, 15 September 2017
14.00–15.15 Keynote speech
László Somfai (Budapest Bartók Archives): Bartók’s Violin and Piano Sonatas Nos. 1–2: Compositional Process
15.30–17.00 Violin Workshop
Joseph Puglia (Koninklijk Conservatorium, Den Haag): Workshop on Duos for Two Violins by Bartók and Berio
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Organized by
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| Institute for Musicology Research Centre for the Humanities Hungarian Academy of Sciences |
Liszt Academy of Music
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Sponsored by
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Ministry of Human Capacities