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The building of the RCH Institute for Musicology will be closed between November 1, 2022 and March 31, 2023 due to technical reasons. The staff of the Institute can be reached by email. Thank you for your understanding!
This closure only concerns the Institute itself, the Museum of Music History is still open from 10:00 to 16:00 every day, except for Mondays. |
Exoticism, Orientalism and National Identity in Musical Theatre
International Musicological Conference on the Centenary of the Death of Karl Goldmark (11-12 December 2015)
Program of the conference, abstracts, biographies of speakers
Video recordings of the papers on videotorium.hu:
Pál Richter (Director of the Institute of Musicology RCH HAS): Opening of the conference
Richard Taruskin: Teeth Will Be Provided: On Signifiers (Keynote)
David Brodbeck: Heimat Is Where the Heart Is; or, How Hungarian was Goldmark?
Jane Roper: Goldmark’s ‘Wild Amazons’. Drama and Exoticism in the Penthesilea Overture (1879)
Ryszard Daniel Golianek: Polenblut. Images of Poland and the Poles in German operetta
Arthur Kaptainis: Negotiating Identity: Goldmark’s Die Königin von Saba and its Critics
Ingeborg Zechner: Orientalismus als Kategorie des Komischen. Le Caïd von Ambroise Thomas
Verena Mogl: An Impossible Remembrance. Mieczysław Weinberg’s Opera Passažirka op. 97
George Burrows: Lute Song as Oriental Phantasy. Raymond Scott and Jewish-American Identity
Susanne Scheiblhofer: Tomorrow Belongs To Me: The Journey of a Show Tune from Broadway to Rechtsrock
Tatjana Marković: Ottoman Legacy and Oriental Self in Serbian Opera
Lauma Mellēna-Bartkeviča: Representations of National Identity in Opera: Latvian Case
Branko Ladič: Karl Goldmark und seine späten Opernwerke