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Péter Bozó is a music historian and senior research fellow at the Institute for Musicology of the Research Centre for Humanities of the Hungarian Academy of Sciences. He obtained his PhD at the Budapest Music Academy in 2010 with a thesis devoted to Liszt’s songs based on a study of the sources at Weimar. His dissertation has been published recently as A dalszerző Liszt (The Song Composer Liszt) by Rózsavölgyi & Co. As an OTKA (2010), TÁMOP (2013), NKFIH (2017) and Bolyai scholarship holder (2014) he has continued research work into operetta, its beginnings in Paris and its cultivation in Hungary, and the Hungarian reception of the works of Offenbach and Wagner. At present, he is studying Offenbach's rondos in a wider music historical context. Since September 2018, he has been the Editor-in-Chief of Studia Musicologica, the international journal of musicology of the Hungarian Academy of Sciences.
Publications
Selected publications:
Péter Bozó: „’Die Zauberflöte, eine Operette in zwey Aufzügen’: on the 18th-century Prehistory of a Genre Designation”, in Ivano Cavallini, Jolanta Guzy-Pasiak and Harry White (eds.), Music, Migration and European Culture (Zagreb: Croatian Musicological Society, 2020), 305‒316.
Péter Bozó: „Wagner’s Influence on Bartók Reconsidered: The Case of the Wooden Prince”, in Stanislav Tuksar and Monika Jurić Janjik (eds.), The Great War (1914‒1918) and Music (Zagreb: Croatian Musicological Society, 2020), 149‒162.
Péter Bozó: „Offenbach and the Representation of the Salon”, in Anja Bunzel and Natasha Loges (eds.), Musical Salon Culture in the Long Nineteenth Century (Woodbridge: Boydell Press, 2019), 139‒152.
Péter Bozó: „Der Fall Wagner: Hans Richter and the Composer’s Reception in the Hungarian Satirical Magazine Borsszem Jankó”, Czech and Slovak Journal of Humanities: Musicologica 2 (2019), 31‒44.
Péter Bozó: A dalszerző Liszt [The Song Composer Liszt] (Budapest, Rózsavölgyi és társa, 2017).
Péter Bozó: “Musical Migration and Cultural Transfers at the Budapest Folk Theatre: The Case of József Conti (Cohn; 1852‒1905)”, in Musical Migration and Cultural Transfers: Glazbene migracije i kulturni transferi (Zagreb, Hrvatsko Muzikolosko Drustvo, 2016), 301‒315.
Péter Bozó: “Turandot on the Budapest Operetta Stage”, in Stanevičiūtė Rūta, Povilionienė Rima (eds.), Sociocultural Crossings and Borders: Musical Microhistories (Vilnius, Lithuanian Academy of Music and Theatre, 2015), 53‒72.
Péter Bozó: “Liszt as a Song Composer, 1839‒1861”, in Péter Bozó (ed.): Space, Time, Tradition: Studies Undertaken at the Doctoral School of the Budapest Liszt Academy (Budapest, Rózsavölgyi és Társa, 2013), 149‒179.
Péter Bozó: „Fragmente nach Dante, Lamenti nach Tasso: Beiträge zur Genese des Italienischen Jahrganges der Années de pélerinage“, Studia Musicologica 48/1‒2 (2007), 61‒78.
Péter Bozó: “Liszt’s Plan for a German Année de pèlerinage: ‘Was ist des Deutschen Vaterland’”, Studia Musicologica 44/1 (2006), 19‒38.
Full list of publications: Hungarian Scientific Bibliography.
