|
Pál Horváth, Research Assistant, Department for Hungarian Music History of the Institute for Musicology, Research Centre for the Humanities, Hungarian Academy of Sciences, and PhD student at the Liszt Ferenc University for Music, Musicology (supervisor: Katalin Kim Szacsvai). In his doctoral thesis in preparation he analyses the Hungarian operas written for the National Theatre between 1837 and 1884 dealing with authors, genres, and performance practice. |
CV
Pál Horváth studied musicology and conducting at the Liszt Academy of Music (Budapest). Since the beginning of 2014, he has done research into the sources of early Hungarian musical theatre at the Department for Hungarian Music History of the Institute for Musicology, Research Centre for the Humanities. In January 2016 he became a Research Assistant member of the same Department. He contributes to the preparatory work of the critical edition of Ferenc Erkel Operas, to the Department’s scholarly publications (as assistant editor), and, in addition, to basic research dealing with the eighteenth and nineteenth centuries.
Publications
Publication
Erkel Ferenc vígoperája: A Sarolta játszópéldányainak tanulságai. [Erkel’s Comic Opera: Lessons Learned from the Performance Copies of Sarolta]. MA thesis (Liszt Ferenc Academy of Music, Musicology Department, 2016).
Editorial work
Ágnes Sas: Polyphonic Music in the Cities, Churches and Aristocratic Courts of Hungary, ed. by Katalin Szacsvai-Kim, copy-editors Lili Békéssy, Rudolf Gusztin, Pál Horváth, Zoltán Vargyas (Budapest, HAS Institute for Musicology of the Research Centre for the Humanities, 2017).
